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Understanding Film Theory 2nd edition


Understanding Film Theory 2nd edition

Paperback by Doughty, Dr. Ruth; Etherington-Wright, Christine

Understanding Film Theory

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£28.04

ISBN:
9781137528230
Publication Date:
4 Sep 2017
Edition/language:
2nd edition / English
Publisher:
Bloomsbury Publishing PLC
Imprint:
Bloomsbury Academic
Pages:
344 pages
Format:
Paperback
For delivery:
Estimated despatch 20 - 21 May 2024
Understanding Film Theory

Description

This essential core textbook provides an approachable and extensive introduction to film theory, written by two highly experienced senior lecturers. Bringing a fresh, contemporary and accessible approach to what is often perceived to be a challenging and old-fashioned area of film studies that requires time and effort to grasp, the text illustrates why theory is important and demonstrates how it can be applied in a meaningful way. The book's sixteen chapters are clear and comprehensive and provide an insight into the main areas of debate, using clear definitions and explaining complex ideas succinctly. The ideal entry point for any student studying film, the book is designed for use on courses on film theory on undergraduate and postgraduate degree programmes within film, cinema, media and cultural studies. New to this Edition: - An expanded introduction, plus a new chapter looking at Adaptation - Contemporary case studies exploring popular and topical films, such as The Hunger Games (2012), Blue is the Warmest Colour (2013) and The Lego Movie (2014) - An expanded introduction, plus a new chapter looking at Adaptation - Additional genre-based case study on the British Gangster film - Additional actor-basedcase study on Ryan Gosling - A greater focus throughout on the relevance of film theory to students undertaking practical film degrees and units

Contents

Introduction 1. Auteur Theory 2. Adaptations 3. Genre Theory 4. Formalism 5. Structuralism and Post-structuralism 6. Marxism 7. Realism 8. Postmodernism 9. Psychoanalysis 10. Feminism 11. Masculinity 12. Queer Theory 13. Race and Ethnicity 14. Postcolonial and Transnational Cinemas 15. Stars 16. Audience Research and Reception 16. Conclusion.

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